Cults release new track 'I Got Your Message' (ft. Christopher Owens)

Cults have been busy playing to packed rooms across North America this past Fall in support of their latest album Offering. As a thank you to their fans, they've released a new track titled "I Got Your Message." The song features Christopher Owens from Curls, who supported the band on their west coast dates.

Cults had this to say about the track, "Hello everybody! We just wanted reach out and thank you guys for coming out to what was honestly our favorite tour yet. We spent a good bit of time working on this music and we had no idea how this tour was going to go down but you guys blew away our expectations night after night. As a gift we wanted to send you guys a link to a song we recorded a few months ago. It's kind of a full circle thing as it's a cover of a song of the band that opened the majority of the tour (Hideout) featuring Christopher Owens from Curls who also did support for the California dates. We think it's a fun little ditty and we hope you guys enjoy it. Y'all are the best for showing up and making this tour as awesome as it was. We'll see you out in Europe in January and hopefully everywhere else throughout the rest of the year. "

Tour Dates
24/01/2018 – Manchester, The Deaf Institute
25/01/2018 – London, The Garage
27/01/2018 – Amsterdam, Bitterzoet
29/01/2018 – Copenhagen, Loppen Christiania
30/01/2018 – Berlin, Musik und Frieden
01/02/2018 – Paris, Badaboum
02/02/2018 – Antwerp, Trix Club

The NYC­based Cults is Madeline Follin and Brian Oblivion and Offering marks the band's first LP since the critically acclaimed 2013 album Static. It also marks the beginning of a more collaborative phase for Cults. The duo have always traded ideas, but for the first time they sat down to jam out ideas together in a room. Follin, who has always written her own parts, came into her own as instrumentalist during the Offering sessions, playing drums and keyboards throughout. Her equal partnership with Oblivion flies in the face of a far­too­common industry assumption that women are passive participants in their own art. Offering also reflects a new confidence in the studio which resulted in the strong, full sound found throughout the album.